Boogie Nights

There were two movies that I saw late last year and early this year that sent me into a film-loving spiral: There Will Be Blood and No Country for Old Men.

See, with No Country, I had no idea who the Coen Bros. were though I had seen O Brother Where Art Thou and The Ladykillers. And then, suddenly, I wanted to know everything about them. By mid-summer, I had seen all their films. I just saw Burn After Reading (maybe a review of that soon…) and so, now, I’ve seen most all their movies save Intolerable Cruelty which just scares me in how smug it seems.

But with There Will Be Blood, I hadn’t seen any of PT Anderson’s films and I had no idea who the fuck he was. But, once I saw Blood, I knew I wanted to see everything he’d done.

And Boogie Nights was my final entry into seeing all of his films.

Boy, was it a naughty little movie.

Based on an earlier short film that Anderson did when he was 17 (he even quoted Dirk Diggler in his Sr. yearbook), this is a movie about porn and cocaine and one very large penis all based around John Holmess life.

All the usual suspects are in this film: William H. Macy, Phillip Seymour Hoffman, John C. Reilly, and Luis Guzman, but the central character is played by Marky Mark. This time, though, his Funky Bunch is all in his pants.

It goes from the 70’s through the 80’s, with a rise and a fall and a refrain, and it’s all done very well.

But this review stands solely that I can discuss this one scene: Dirk’s first foray into cocaine. See, what I was expecting was the typical, slow-motion, close-up, THIS FUCKING MEANS SOMETHING shot when we see Dirk do his first line. Instead, though, it’s simply a passing shot like, “Oh, well, here’s Dirk doing some coke for the first time.” It was interesting to see how the cinematography didn’t act as if this was a central point in the movie but, rather, a passing scene. And I absolutely loved that. It threw me for such a loop that, even a couple weeks after seeing the film, I am still throttled by the way it was shot–much like the lighting in a scene of the movie Adaptation where Meryl Streep is saying all these things about wanting somebody and needing to feel alive and the lighting is done in such a way that our eyes are drawn towards her wedding ring.

There are just some things that give me chills in film. And those two scenes were definitely up there.

But don’t get me wrong, the rest of the movie is just as fabulous. It’s all very well done and very meticulous.

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