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Anosognosia: “lack of insight” or “lack of awareness” – is believed to be the single largest reason why individuals with schizophrenia and bipolar disorder do not take their medications.
It’s this really unfortunate thing, right? That Paul Blart came out in January of 2009 and six days shy of four months later Observe and Report came out.
Every time I mention Observe and Report, people take a second to rattle their memories and typically come up with “That other mall cop movie? The one with… Seth Rogen?” Exactly. I guess if there were ever a time when a movie should be shelved, it was then. Because had Observe and Report come out a year later, it perhaps would have garnered a broader audience. They could’ve sold it as a parody of some kind.
But even those outside the film industry know that you can’t produce, edit, and distribute a motion picture in the span of four months. Had they perhaps waited, like, eight months maybe then the public would be willing to accept Ronnie Barnhardt as some sort of filmic response to how squeaky clean Paul Blart is.
Or maybe the next to non-existence of redband trailers in 2009 totally stalled any chance this film had of marketing itself as a graphic antithesis to Mall Cop. The trailer for the film does nothing to prepare you for how quickly the movie goes dark.
But, shit dude, the movie itself is brilliant. I have yet to truly grasp the humor of the Foot Fist Way, and could only ever make it through the first season entirely of Eastbound and Down, which leads me to think that this is probably Jody Hill’s most accessible work.
His style of humor is a tough pill to swallow and he doesn’t give you a glass of water. It’s an absolutely unrelenting experience that truly makes the viewer begin to ask, “Wait, when am I supposed to laugh?”
When Observe and Report first came out in 2009, the film blew me away with it’s deep-black sense of humor that absolutely tests your ability to finish its scant 82-minute run time. It takes you into the depths of purely being frustrated with Ronnie and his deluded, alternate, sense of reality that it gets to the point that you just feel bad for the guy.
That’s when his date with Brandi happens. He gives her all his medication figuring that because she said yes sober but went out with him drunk it clearly means that they’re now in love and boyfriend & girlfriend. Obviously. Given Ronnie’s great fortune at finally nabbing the One, the medication is now unnecessary so he gives it her and she says, “I was like ‘Okay, weird guy at the mall asking me out.’ Oh my God… But now I got a whole new script! Thank you!”
That whole section of the movie–and especially Ronnie’s actions–raise huge questions about the idea of consent and whether or not either of the two parties involved were in the proper state of mind– whether it be due to an external or internal struggle–to say no. Especially since Klonopin basically erases your memory if you take too much. That whole sequence is fascinating and the way it ties together at the end is even better.
That’s what it is: at about the hour mark the film externalizes his emotions when, after a fight with police, he is seen in montage healing from those physical wounds. At the same time, he starts taking his medication. And! His alcoholic mom has a change of heart and decides to switch to beer because, as she says, “I can drink that stuff all day and still keep my shit together.” It’s a moment in the film that, because of its structural placement, still connotes growth in her character.
This all leads to, when the final act of the film occurs, you’re rooting for Ronnie to accomplish his act of redemption–to see him restore faith in himself.
The entire film is based around Ronnie’s bi-polar disorder too. Coming from someone who’s dealt with it all his life and done his goddamndest to find the right medicinal balance, it’s interesting to see it from the pills perspective. See because, at the beginning of the film, when Ronnie’s doing well (but still fucking crazy in a moderately subdued way), he’s only on Klonozapam. Which, as you know, is what Stevie Nicks was addicted to. Except back then some drug company still had the patent and they called it Klonopin.
“When you’re on tranquilizers [ie, Klonopin] you really can’t be depended on.” -Stevie Nicks (around 1:15 in the video)
I’ve had a prescription for it before and it’s one of those drugs that makes you mild to moderately numb to the world more than actually help resolve any of the actual issues at hand. It’s kind of like a Band-Aid whereas something like an SSRI or MAOI is more akin to a brace. It’s something that inhibits your movements in a way that encourages proper development.
So at the start of the film, Ronnie’s already only operating with a Band-Aid to keep his gaping mental gash from splitting open. It explains his already deluded state.
That whole layer of the film, though, and the fact that he stays on the same medication and doesn’t get further psychiatric treatment, speaks to that inner ability to heal oneself to the point that the medication becomes mere augmentation to the solution itself, which is mindfulness. I guess that’s really what it’s all about.